What is the work of the performer? How does the effort of collaboration appear? And why are intimate encounters always so messy, painful and irresistable?
In the conference rooms Palme, Kata and Sandler, this work of dance presents three collective movements, each investigating actions of collaboration, instability and failure. The performers build, form, balance, hold and mold in ways of trying to make it work. How do we hold it together when structures fall apart?
As the choreography slides between actions of functionality and ornamentation, attention can slide between recognition and daydreaming. The audience are witness to nascent expressions, inspired by the desire for and will to better forms of life, even if only in this limited and unambitious form.
Set in a context of the Swedish worker’s movement, which has always been a movement of study, the choreography unfolds through the hard work of dealing with others, body to body. A study of movement, if you will.
“The secret harmony of disharmony: I don’t want something already made but something still being tortously made.” Clarice Lispector
Premiere at ABF, Sveavägen, Stockholm on September 27, 2025
Choreography: Stina Nyberg
Performance: Freddy Houndekino, Robert Malmborg, Stina Nyberg, Pontus Pettersson, Jonathan Starr and Shirley Harthey Ubilla
Dramaturgy: Martin Hargreaves / Rose Choreographic School
Production: Terry Johnson (Johnson & Bergsmark), Magnus Nordberg (Nordberg Movement)
Supported by: Kulturrådet, Stockholm stad, Region Stockholm
Jonathan Starr and Freddy Houndekino